Showing posts with label paintings. Show all posts
Showing posts with label paintings. Show all posts

Sunday, September 29, 2013

Science Fiction Pig

William Hessian, watercolor on paper

There are a few hidden things in this painting, search for a while and see what you can find. This watercolor painting is inspired by a series of collaborations with Kenny. It is a stream of thought painting, which responds directly to second by second inspirations and responds to the image on the paper, and also has a relationship with the previous few marks. The goal is to build a visual language that piles up to create interesting layers of imagery.


Sunday, January 22, 2012

Cat Fish

Another quick watercolor study. This rough design is based off of a series of larger paintings titled, Wicked cats. I enjoy the idea of cats being built with crude shapes and lines, and yet still remaining undoubtedly a cat.


watercolor and ink on paper. 2012

You can find a spider and fish in the picture. This watercolor was made so that it can fold and be sent to one of my great friends as a card in the mail. However, it is often hard to choose who should receive such a card, and it seem to be harder to sit down and write cards these days as the old fashioned mail seems to move far too slow for these modern days. And yet, it is so romantic to send a card.

I have, on many occasions, declared that I will start sending more letters to the list of my friends who i think deserves a hand written letter. Only to never get to it, and put it off for months and year.

Which reminds me, I need to work on my art-o-mat blocks. Which reminds me, I need to update my website, which reminds me I need to make sure I have my King of the Pill web
comic ready to go tonight, which reminds me....I have too much to do.

In actuality my real priority is preparing for teaching 10 different classes of 1st grade, and an after school ceramics class, and a comic book class next week. I need to review my lesson plans, or maybe I will do the much less productive thing and drink beer and watch football. I can blame it on being American.


Wednesday, January 18, 2012

The Tardis Effect


watercolor on paper. william hessian 2012.

Do you ever have this happen to you?

You are just using up left over paint. Trying to let the creative juices flow. Weird, almost alien things come out of you. Even your body seems to contort in an odd was as you add more unusual elements to your work. Each decision seems to make less visual sense then the last.

You step back, your face is all crunched up, trying to decide if this is garbage...or if this is the greatest thing you have ever made. For a moment, it is the greatest thing you have ever made. You are the most important person in the world. You have done something, made something, that no one in the entire world has ever thought of. You are a genius.

And then the moment passes. The watercolors dry. The veil of the brilliant masterpiece fades away, and you are left with a very quirky little painting. Art does this to me all the time. Abstract art does this to me nearly every time. It is a drug. The fabricated moment when time stops and it feels like I have just done it, cracked the code, figured out the meaning of life, made the most important painting in the history of the human race; is an incredible high that cannot be duplicated by drugs or alcohol. It is the high of the unknown.

In the end. It is just another painting.

Monday, January 16, 2012

Painting of Lists


watercolor on paper. william hessian 2012.

This is surely a mess of a painting. I once saw an art exhibit of work by Laura Wennstrom. She had this one piece which was comprised of all these little note cards filled with lists of things she needed to do each day for an entire year. Then she sewed them all together to make a tapestry. This was important to me, because I also make lists and instantly I found the beauty in my lists, because i saw beauty and honesty in her lists. My ugly watercolor is a result of sloppy strokes. I could not toss the paper away, and began writing notes and making little sketches on it. Even a few private parts and hidden meanings. See if you can see them.

Some of the lists are real and functional. Some of the lists are metaphorical. And one of the lists is just plain made up. I could have made all the text on this blog post one big list. With numbers. It would have looked like this:

1. This is surely a mess of a painting
2. I once saw an art exhibit of work by Laura Wennstrom
3. She had this one piece which was comprised of all these little note cards filled with lists of things she needed to do each day for an entire year.
4. Then she sewed them all together to make a tapestry.
5. This was important to me, because I also make lists and instantly I found the beauty in my lists, because i saw beauty and honesty in her lists. My ugly watercolor is a result of sloppy strokes.
6. I could not toss the paper away, and began writing notes and making little sketches on it.
7. Even a few private parts and hidden meanings.
8. See if you can see them. 
9. Some of the lists are real and functional.
10. Some of the lists are metaphorical.
11. And one of the lists is just plain made up.
12. I could have made all the text on this blog post one big list.
13. With numbers.


I once made a webcomic about lists:

Sunday, January 15, 2012

Do you like paintings of dogs?


watercolor on paper.

Do you like paintings of dogs?

Because I do.

Here is a painting I made of a dog. This painting is made for a certain type of dog that has yet to exist. This paintings is made for future reference of this breed of dog. It labels all notable features of the dog in exquisite detail. By looking at this painting, you are gaining knowledge which is unquestionably invaluable to the survival of the human race. The answer is here. The answer is always in the art.

Time to find it.

Gorky inspired me. Miro inspired me. Kandinsky inspired me. Basquiat inspired me. They conversed with each other in another dimension and asked me gently to make them a painted guide to the working of this breed of dog. Please love it.

Made by William Hessian at the Jamestown Art Center only a few minutes after the class of 15 3rd, 4th, 5th and 6th graders left the classroom to go out into the windy freezing day. For a moment the classroom was quiet, for a moment the classroom was mine.

Saturday, January 14, 2012

Song of the Pulsars

watercolor on paper

At times the children have so much fun, playing and spilling all the watercolors. At times I sit for hours after class wiping up their mess with a brush; and putting it on paper. At times, the little goofy sketches the kids make killing time while I explain the rules of the classroom give me so many ideas. It is a warrior horse. It has hidden meaning. It is the face of the child who makes me laugh.

Created in the Jamestown Art Center. January 2012.


Tuesday, September 6, 2011

A Car Full of Art

My car is completely packed with art to be displayed at Sample Night Live tomorrow. All of this artwork is for sale. It is also only a sampling of the work that will be on display in the lobby of the History Theater on September 7th.

The next 5 images are work from my Icon series from 2004-2008.








The winds of change, acrylic on canvas.
Warrior paintings. Oil on wood.
Acrylic on canvas.



Learn about my Canvas Kill Live performance at Sample Night Live at the History Theatre in St. Paul.

Tuesday, August 30, 2011

New Paintings by William Hessian

Masks. A painting sketch of masks in preparation of future art battles. More specifically my Canvas Kill Live performance in 10 days.


Painting on printed and laminated paper mounted to foam core. 2 feet X 3 feet


Painting on printed and laminated paper mounted to foam core. 2 feet X 3 feet

Monday, August 1, 2011

A written recap of Billy Vs Matt 13: Two Box Battle

Whistles blew. Sirens blared. The box didn't move. Heat stroke. The Red Hot art festival got too hot for the Two Box Battle. 95 degrees outside, heat index was 115, meant at least 115 degrees inside the boxes, and 150 heat index. And yet, the battle would go on:



On July 30th, at 10:30am Matt Semke and myself(William Hessian) trapped ourselves in tiny boxes and painted. On Saturday, we painted for over nearly 9 hours in the scalding heat, and we didn't get out once. We created 32 paintings; one painting every 15 minutes and then lifted our heavy boxes and moved to a new spot leaving the artwork behind. The first few people to peek in my box exclaimed, "wow, he's really sweaty". I must have sweated out a few gallons of water. Sweat kept falling on my painting making the surface hard to paint on. It was a constant struggle to keep my sweaty head out of the path of my paintings. The first few hours I was loving the sweat lodge box. I was having fun peering at people without them knowing, or surprising people when they saw my eyes staring out at them. Even peeing in the gallon jug was kinda fun at first. However, the sun was beating down on the box, and there was no where for the heat to go. This was a problem. People could feel the heat billowing out of my box when they looked in the eye holes. At one point I was so hot I had to start cutting off my hair. I did not have enough time to cut it off in one sitting since I needed to paint my pictures, so I had to snip a little off each time I moved the box. At 4pm, the box was so hot and humid, that I fell limp to the bottom of my box gasping at the gap under my box trying to breath in fresh air. Hot air that felt cool. My only object was to gasp in some fresh air. Fresh air. I realized I had no idea how time had passed. My big gasps and the heat made me light headed. Confused. I did not know which way my box was facing, or where the box was. A headache was swelling at the top of my nose. I painted on the side of the wall, "Heat is an illusion" but later added, "...maybe not".

With a few hours left, I was painting really bizarre and exciting things. My camera had died to the humidity (not the first time/ piece of junk) and therefore everything I was making during this vision quest of an art battle was being created, pooped out of the box, and then gone forever. I would love to see those paintings again, and in the light; because they were paintings unlike anything I have made before. People were picking up the art and then donating cash in through the eye holes of the box. If you picked up one my works, please take a picture and send it to me (william.hessian@gmail.com), I will post it here and give you credit.

When the last painting was dropped I agonizingly rolled out from my box and collapsed next to it. Feeling terrible. Matt did similar. My back was killing me. My headache was painful. I had a headache until 2am that night, and could barely sleep because of my lower back issues which stemmed from awkwardly lifting the box. Fred Flintstoning these boxes all around the art fair was much more physically demanding that I had considered. If was like doing squats with 100 pounds on your back all day long while inside a sauna. Semke's upper back was injured. I knew, despite the agony of day 1, that I was committed to a full Day 2. Semke and myself have a saying; if one of us dies during the art battle, the other one will become famous by association. It would also be ironic if these wooden boxes became one of our coffins. However, when I groaned getting into the box on Sunday, Day 2 of the box battle, the thought of the box being a coffin was a little too realistic for me. So I painted:

"This box is the opposite of a coffin, inside this box life is accentuated"

on the back of one of my 15-minute masterpieces. I also wrote, "I collect art that is pooped out a box" on the back of another. Then I painted a yellow circle around the two eye hole I was peering out of. I was desperately trying to lighten my mood. Our neighbors at the Red Hot art festival during day 2 were giving us lots of water and drinks fearing for our safety. I think this was a response to how terrible I looked and sounded after Day 1. We also started getting people requesting certain subject matter for our paintings, and this was both fun but challenging. Making an impromptu improve painting in 15 minutes, and making it good, was very difficult. Especially when the horde of children began taking an interest in peeking into our boxes. I was just trying to make art, and the 15 minute time limit meant that I did not have time to entertain. I'm glad one of our rules was to remain silent. Because I was not interested in answering a million questions.

When the final whistle blew Sunday Night it felt as though I had run a marathon with a box on my back. The boxes were tipped, as illustrated by Semke's free at last illustration. And we had survived the TWO BOX BATTLE. All we had left is empty boxes with piles of cash and jugs of pee.

The donations were added up to see who won the battle, and then half the money was donated to a local charity, People Helping People. Matt Semke won, by less than $20 dollars.

NEXT: FIND OUT

Monday, December 6, 2010

Flower child and other assorted paintings



Another batch of new works from a few marathon painting sessions. Many of these works are inspired from sketches I made over the past few months. Many are also just randomness that emerges when confronted with a blank paper. Hope you enjoy the newest works.

The works are created with india ink, and watercolor on paper.





If you would like to see the other new works see creating art in an emotional storm and wicked cats.

Sunday, November 28, 2010

Creating Art in the Emotional Storm



Right as I realized I need to move (AGAIN) away from Unity and into a larger town, needed to find a new place to live, needed to find a new job, needed to start a new chapter of my life...I started to create. In times of great stress and turmoil, I usually find inspiration to create. My long term relationship of three years was over... I was left trying to pick up the pieces. Like always, I gravitate towards the healing power of art.

One of the things I've done in the last few weeks besides the Maine Draw A Thon 2 and visiting the Portland Museum of Art and Spindleworks, is set up paint a thons on my webcam. Just painting and chatting with folks while I do so. The interactive parts makes the loneliness of painting pretty much vanish. You can see the wicked cats I posted last week that was done during these painting shows, and here are five others I have created.






This post is part of a series of new painting by william hessian

Sunday, November 14, 2010

So many wicked cats



Last Friday, I spent a glorious day with a new friend Barbara. Both of us, in our own ways are gravitating towards Portland, so we figured we would team up and go explore the town of Portland, Maine. This trip, which I will write about in a future blog, inspired me to get my butt to work. Since that trip, I have spent 5 or 6 nights painting with great vigor. Those who are friends with me on facebook have seen the load of new paintings appear.

I will be uploading these works onto the blog in bunches. In addition to the excitement of doing new work, I also ramped my focus up a notch by doing all of these works on webcam at Stickam. I use the web cam to interact with friends, artists and random onlookers. It also provides me with extra incentive to keep plugging away. I tend to be easily distracted when creating art these days, but turning on the web cam makes me keep my focus and get things done.

The series I am showing first are called the Wicked Cats. Mostly done with ink and watercolor, although a few have some acrylic in them as well. The works are all 24 X 18' in size, and created on drawing paper. Many of these will need to be ironed flat in the future.

Many more uploads on the way, as well as a recap of my events in Portland First Friday Art Walk, the Portland Museum, Spindleworks, and the Maine Draw A Thon.







see more new pictures from this paint-a-thon session

Monday, September 27, 2010

Six Armed Cat and a Sigil

Moving to a new state, across the country, finding a job, losing a beloved cat (i will miss you Lily)and now trying to recover financially from the cost of losing a loved cat after a blood transfusion and emergency vet visits; has made it hard to justify spending time painting. Although, I cannot ignore what I love to do.

Here are a few of the paintings I have been slowly working on when I can find the time. They are very much works in progress. I started the six arms painting back in Jamestown three months ago and you can see how much it has changed:




The resemblence to Frasier our newest kitty is very much on purpose. There are some smaller details and shading to add to this work before it nears completion.

The other work I have been making comes from an over-layed image in my head. It involves fields of different patterns and a semi symmetrical three dimensional object in the center. I've been calling it a sigil, just to call it something. I will have to post a new picture of the updates soon as it has changed a lot since this photo. In my original idea, this painting also had a lot of very tiny details within it. As I work on tweaking the overall composition I have to decide if I was to go back in and add some of the really small images I had originally planned.


Friday, July 16, 2010

Six Arms (painting in progress)



I pulled out a board last night and decided to paint something. I have not done much random painting, or painting just for the fun of it lately. I had the urge so I went for it. The result, as of now, is a six armed guy as you can see. I am really not sure where the painting is going, but I did think it was interesting enough to photograph and post here for you to see.

Getting ready for the move to Maine is a hectic experience. Packing, planning, getting rid of stuff, and trying to find a job thats on the other side of the country. Not so easy to do.

To see more of my paintings check out the Warrior Icon painting, and Google Mind. Find even more at my online gallery. I do also have a good collection of free printable mazes for you to check out.

Wednesday, June 16, 2010

Warrior Icon



created with ink & watercolors on paper in 2006.

This was a painting study for a larger icon painting I never completed. The work has become one in a series of many other Icon paintings.

Tuesday, April 27, 2010

Watercolor Self Portraits using a grid



I taught an art class a few weeks ago, focusing on drawing our own faces using a grid system. We used mirrors (you can preferably used printed photos) with a grease pencil grid drawn on it. Then we created a grid on a sheet of paper and transferred each square from the mirror onto the paper. The two biggest difficulties with using a mirror instead of a photo is depth perception, and making sure you line up in the mirror the same place each time. Using a photograph makes things a lot easier.

After sketching in our faces, we then used watercolors to try to add color to our faces. Many of the adults in the class had little to no experience and made some really great results, here are three samples I was able to photograph and then my own:

Please note these were all done in one hour.






I strongly suggest trying this method on your own, because it is a great learning experience, and an easy way to make a very good portrait. Chuck Close is rumored to use a similar grid system in his amazing over-sized portraits. If you do not know Chuck Close check out the link, his work is amazing.

Tuesday, April 20, 2010

Google Mind



A Google Mind
24 inches X 24 inches
April 2010
mixed media on composite board
by william hessian

Inspired by a work of art by Sue Morrisey (spelling may not be correct) I created this painting. It loosely depicts the relationship between memory and internet web searches. While search engines are amazing tools that save time and give information; i do wonder if our memories and brains are on autopilot. Always having the internet to do your work for you, confirm facts, and answer your questions with the click of a mouse may seem like the greatest thing since sliced bread...but how much less often are we using our brains?

I often contemplate the physical health of someone who works out and some who does not. We are advanced enough to let tools do all our physical work for us, but never moving your body will lead to weakened physical conditions and a lower quality of life. I think our brain is suffering a similar problem, while it is still an amazing tool we are simply side stepping its function by using something more convenient instead. In the future, I predict there will be brain gyms where you pay to attend and do puzzles and brain exercises to keep your brain functioning at a high level.

In total this painting took about 8 hours. Here is the progress photos of the painting in different steps of the progress:



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